
Holy Water: a ceremonial sojourn
The Conversation Series
As a part of Watering (W)hole, Jupiter Performance Studio, Holy Waters: a ceremonial sojourn is a durational experience that follows SKY LAB Alumni Ebony Noelle Golden and her creative collaborators as they travel through New York, Massachusetts, North Carolina, Alabama, Mississippi, Louisiana, and beyond. Drawing on the experiences and catalytic work of a diverse community of artists, advocates, and activists Holy Waters unfolds as listening tours, dramaturgical sojourns, homecomings, living archives, and strategy sessions. This three part virtual conversation series highlights the experiences nad perspectives of Black femme healers, climate activists, artists as they reflect on their relationship to Holy Water, Environmental Intimacy and more.
Programming
Conversation 1
-
Sawdayah Browniee is a Gullah woman based in Brooklyn, NY by way of Detroit and South Carolina. She is a farmer, educator, cook, storyteller, sometimes muse/model, sister, daughter, and friend.
As an emerging artist, Sawdayah weaves together written and spoken word, prayers, gardening, and cooking to tell personal stories of the creation of home and the reclamation of her own Nature. Through her art, she aims to entice you to reflect on how critical relationships contour our idea of home and how might home exist/persist, (especially homes within the African Diaspora) in spite of neocolonization and gentrification.
Sawdayah's first medium is plants. She believes they are the pipelines to all of the "nutritive & curative substances" located in the Earth (summarized from Self-Healing Power and Therapy: Old Teachings from Africa, Dr. K. Bunseki Fu-Kiau, Ibayé). The practice of being in community with people, plants, and Earth, for each groups' edification and healing, is her art and her contribution to Black liberation. She is honored to have been called to be in relationship with land and its assemblages within ecosystems. -
Chandrika Francis is dedicated to supporting People of Color in building relationships to the Earth grounded in remembrance, safety, connection, healing, and liberation! She is the founder and facilitator at Oshun Swim School (OSS), a program that offers BIPOC womxn and non-binary people a safer space to explore our relationship with water through Afro-Indigenous centered swim and water based workshops. With healing-centered and trauma-informed instruction, OSS supports students to connect to water from their center, and grow into embodied, joyful swimmers. She is a bi-coastal baby at heart, having spent her life between Oakland, Seattle, and the East Coast, and is excited to bring her work to the lands she loves.
-
Jeri Hilt is a former lecturer of AfricanStudies and International Development issues at Tennessee State and Dillard Universities. She has worked with research, development, and teaching projects in South Sudan, Kenya, Burundi, United Kingdom, New Orleans, and most recently the North Louisiana Civil Rights Coalition's Oral History Project. Jeri is an archival curator and independent researcher. She leads a company and platform that centers the Black Indigenous Feminine Consciousness. She has also researched the repatriation of ancestral human-remains for the last two years and has presented this evolving research at the Inaugural Africana Studies Conference at the University of California at Merced (February 2023) and at the 60th Anniversary Conference for the Institute of African Studies at the University of Ibadan in Nigeria (July 2022).
-
Michelle Lanier is an AfroCarolina folklorist. As graduate of Spelman and UNC-Chapel Hill, in 2018, Michelle became director of North Carolina's historic sites , a constellation of 26 museum spaces, historic structures, and landscapes including the birthplace of Harriet Jacobs and the final resting place of Charlotte Hawkins Brown. With her focus on the concept of womanist cartography, Michelle illuminates the lives of Black women of the U.S. South through her writing and curation.
Michelle is on faculty at the Center for Documentary Studies at Duke University, and has advised on numerous films including Mossville: When Great Trees Fall, for which she is Executive Producer.
Conversation 2
-
Dr. Skyller Walkes is a graduate of the Adult, Professional, and Community Education doctoral program at Texas State University, and her scholarship focuses on Critical Race Theory, Afro-Latinx identity, art activism, race, and intersectionality. Dr. Walkes also holds three bachelor’s degrees in the areas of Communications, English, and Mass Media Journalism from Rutgers University and a master’s degree in Early Childhood Education and Administration from Kean University. She also holds a Master’s in Science in Juvenile Justice from Prairie View A&M University.
In her immediate past role as the inaugural Assistant Dean of Diversity & Inclusion and Assistant Professor of Instruction in the College of Pharmacy at the University of Texas at Austin, Dr. Walkes served as chief College of Pharmacy spokesperson for diversity equity, accessibility, and inclusion. This encompasses areas of recruitment, selection, appointment, and retention of diverse students, faculty and staff, while promoting a culturally responsive approach to pedagogical and andragogical development in the Healthcare Sciences and equitable community outcomes. Dr. Walkes’ work encompasses several international projects for schools, regional libraries, and diversity community education for numerous entities, including the United States Embassy in Madrid, Spain, Diversity Abroad, and the Southwest Region of the Anti-Defamation League. Dr. Walkes has successfully developed and implemented restorative justice and positive identity development curricula for community centers and institutions.
As for her co-curricular involvement, she currently serves as President and Director of Educational Programming at the Calaboose African American History Museum, Chief of Staff and Operations for nonprofit Where We Thrive, Inc., both for which she is also their chief grant writer with an exceptionally high success rate.
Her professional associations include but are not limited to: President of the Texas Association of Diversity Officers in Higher Education, Educational Consultant for CARE- College Athletes for Respect and Equality, and Advisory Board for the Black Doctoral Network.
Dr. Walkes’ redoubtable work surrounding social justice in schools, universities, and neighboring communities is demonstrated in her steadfast civic engagement to advance access to equitable resources within communities. This can additionally be seen in her work spearheading roughly 50 COVID-19 testing and vaccination clinics with community partners in under-supported and under-resourced communities since December 2020.
-
Jennifer Ligaya is an AfroPinay sound, movement, and performance practitioner, and healer born and raised in Chicago with an interdisciplinary background in visual art, vocal performance, dance, and theater. Mother to a Scorpio son and full-time PhD student of Performance Studies at Northwestern University, her original work includes solo and collaborative performance compositions and sound installations. A sponsored artist, grant recipient, and commissioned multimedia artist, her compositions amplify critical conversations around identity, liberatory practices, ancestral indigenous knowledge systems, and moments of communal healing, through the weaving of traditional and contemporary sound, performance, and personal ancestral folk arts practices. The newest core member of Honey Pot Performance in Chicago and executive director of SaltWaterRoad Artist Residency in Montgomery, Alabama, her current creative practice explores Afro-Diasporic feminist subjectivities and speculative arts, indigenous healing and survival practices, and the genealogies of justice through community engaged, ethnographic, and practice based research.
-
Yudith Nieto is a queer Mexican-American organizer, language justice worker, and interdisciplinary artist originally based in Houston, Texas. She has put her efforts into advocating for Environmental justice in fenceline communities since 2012. She’s worked with frontline communities across the country and the Gulf South to create, develop and amplify community-led media around just transition stories, including artbuilds in solidarity with intersectional movements for a decolonized multilingual approach to weave networks of solidarity and mutual aid to respond to the ever frequent natural disasters due to climate change. Yudith is also a confounding member of Another Gulf is Possible, a collaborative built upon decades of organizing resulting in a strong and rooted ecosystem of relationships between individuals tied to a multitude of organizations, networks, communities, and alliances from the US Gulf South to the Global South.
-
Nayyir Akilah Ransome is a writer, dreamer, doer, organizer, and creator whose work centers themes of family, connection, community, and healing. Their work is deeply informed by our relationships to resources, legacy, and place, and how they inform our visions for the future. Spending their formative years on the Schuylkill River in Philadelphia, PA, and their adolescence and adulthood along the southern Mississippi River in Baton Rouge, LA, their relationship to water, movement, and memory frequently appears in their work. At present, they are serving as Port Community Liaison for the Southern Louisiana at Ocean Conservancy where they focus on the intersection of arts and culture as a tool for advocacy, empowerment, and mobilization in near-port communities. Looking at the impact that port operations have on near-port communities, Nayyir is working with an array of stakeholders to ensure a just and equitable transition cleaner port.
Conversation 3
-
Sunder Ashi is the daughter of Cynthia and Allan, was born and raised in Brooklyn, NY with rich roots in the island of St. Vincent & The Grenadines. Ashni is a private practitioner of Flower Essence Therapy, Somatic Experiencing® method, which is a body-oriented approach to the healing of trauma and other stress disorders. She is also a member of the Heart Centered Operations Team at MINKA. She facilitates ceremonies, meditations, and experiences permeated with love that cultivate radical awareness, appreciation of self, and overall ecstatic wellness within participants and their community with the intention of re-cultivating a deep connection with our Earth mother. “I serve, love, and inspire those within my local and global communities by providing tools of nourishment. These tools, in the form of flowers and energy-work, assist in cultivating awareness, addressing trauma, and fostering connections between the hearts and minds of individuals and the heart of our world.”
In her immediate past role as the inaugural Assistant Dean of Diversity & Inclusion and Assistant Professor of Instruction in the College of Pharmacy at the University of Texas at Austin, Dr. Walkes served as chief College of Pharmacy spokesperson for diversity equity, accessibility, and inclusion. This encompasses areas of recruitment, selection, appointment, and retention of diverse students, faculty and staff, while promoting a culturally responsive approach to pedagogical and andragogical development in the Healthcare Sciences and equitable community outcomes. Dr. Walkes’ work encompasses several international projects for schools, regional libraries, and diversity community education for numerous entities, including the United States Embassy in Madrid, Spain, Diversity Abroad, and the Southwest Region of the Anti-Defamation League. Dr. Walkes has successfully developed and implemented restorative justice and positive identity development curricula for community centers and institutions.
As for her co-curricular involvement, she currently serves as President and Director of Educational Programming at the Calaboose African American History Museum, Chief of Staff and Operations for nonprofit Where We Thrive, Inc., both for which she is also their chief grant writer with an exceptionally high success rate.
Her professional associations include but are not limited to: President of the Texas Association of Diversity Officers in Higher Education, Educational Consultant for CARE- College Athletes for Respect and Equality, and Advisory Board for the Black Doctoral Network.
Dr. Walkes’ redoubtable work surrounding social justice in schools, universities, and neighboring communities is demonstrated in her steadfast civic engagement to advance access to equitable resources within communities. This can additionally be seen in her work spearheading roughly 50 COVID-19 testing and vaccination clinics with community partners in under-supported and under-resourced communities since December 2020.
Ebony Noelle Golden
Ebony Noelle Golden is an artist, scholar, and culture strategist from Houston, TX and currently based in Harlem. She devises site-specific ceremonies, live art installations, creative collaborations, and arts experiments that explore and radically imagine viable strategies for collective black liberation. In 2020, Ebony launched Jupiter Performance Studio (JPS) which serves as a hub for the study of diasporic black performance traditions. JPS is integral to the development of a five-part theatrical ceremony that will be developed and produced over the next three years with partners in Harlem, Brooklyn, Durham, and Ashfield, Massachusetts. In 2009, Ebony founded Betty’s Daughter Arts Collaborative, a culture consultancy and arts accelerator, that devises systems, strategies, solutions for and with education, arts, culture, and community groups globally. Golden’s current projects include: Jubilee 11213 (in partnership with Weeksville Heritage Center and generously supported by Creative Capital, Coalition of Theaters of Color, and Black Spatial Relics), freedom/conjure/black, and In The Name Of (commissioned by Apollo Theater and generously supported by Double Edge Theatre, Toshi Reagon, Network of Ensemble Theatres and Hi-ARTS).
Holy Waters: a ceremonial sojourn is an element of Watering (W)hole, Juniper Performance Studio’ community-powered platform that works to forward climate reparations and environmental justice. Thank you to National Theatre Project, Hi-ARTS, Double Edge Theatre, Mumbet’s Freedom Farm, Green Apu at Central Mesa, and Jupiter Performance Studio (JPS) for your generously supporting Holy Waters: a ceremonial sojourn. This iteration of the conversation series is produced and presented by Hi-ARTS and JPS, exclusively.